1.4m
Frames on file
Everything shot since 1998, contact sheets included.
The archive · 1.4 million frames
No frames are deleted to tidy a story up. The sheets are kept, which is the only way an agency can honestly say what it did not find.
Ask the archivistAn edit is an argument. The sheets behind it are the evidence, and keeping them is what stops a photographer's own memory of an assignment from replacing what the camera actually saw.
So the catalogue is boring on purpose: place, date, subject, consent. No moods, no themes, no adjectives — those change with the decade, and a frame filed under a mood is a frame nobody will find in twenty years.
Three of the nine long projects have run for more than a decade. They are the reason the archive is worth more than the pictures in it.
1.4m
Frames on file
Everything shot since 1998, contact sheets included.
9
Long projects
Coast, work, and borders — shot a few weeks at a time, for years.
14
Years, longest
One project, the same coastline, photographed every spring since 2012.
Card to catalogue
The captioning rules and the consent record are published in full.
Read them before you decide whether to trust a caption.