The Plate
Nine long projects open for 2027. Commission us

About · Founded in 1998

An agency ownedby the peoplewho shoot for it.

Four photographers started it because the agency they worked for paid by the day, and a day is not long enough to photograph anything properly. Everything since has followed from that one complaint.

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Eleven owners, and no plan to sell.

Since 2014 the agency has belonged to eleven of its photographers, every one of whom still shoots. Offers have been made — an archive of 1.4 million catalogued frames is worth more to a stock library than to us — and the undertaking not to sell is in the company's articles rather than in a mission statement.

That is not sentiment. An owner who does not shoot eventually asks why an assignment takes five weeks, and there is no good answer to that question from the outside.

Ninety-one percent of income is licensing and commissions. There is nobody above us asking a different question.


The agency in numbers

1998

Founded

By four photographers who left a wire agency over a day rate.

18

Photographers

Under contract on a retainer. Most have been here more than eight years.

60%

To the photographer

On every licence, archive or commissioned, published in the accounts.

1.4m

Frames on file

Every sheet since the first assignment, kept in the building.


How it got here

1998 to today

1998
Founded above a framer’s workshop in the eleventh arrondissement. Four photographers, one darkroom, and a rule against day rates.
2004
The first regional contract, in Beirut. The principle arrives with it: we do not send anyone anywhere they have not already lived.
2009
The long projects begin, funded out of licensing. The first one is a stretch of coast, rephotographed every spring.
2014
Ownership passes to eleven of the photographers, with a written undertaking not to sell the archive to a stock library.
2019
The archive is catalogued back to 1998 by hand. It takes two people three years and is the best money the agency has spent.
Today
Eighteen photographers, fourteen cities, nine long projects, one assignment at a time.

How it is run

Ownership
A private company owned by eleven photographers, all of whom still shoot for it. No stock library, no fund, no outside investor.
Copyright
Held by the photographer, never by the agency. It is in the contract, not in a statement of values.
Photographer voice
Two photographers, elected each March, sit on the commissioning panel with full voting rights, including on which work is refused.
Complaints
A subject who objects to a photograph is answered by a panel that excludes the photographer who made it and the editor who filed it.

Judge it from one contact sheet.

Ask the archivist for a research folder on any subject. It is free, it takes about a week, and it is made of pictures that already exist.

Ask the archivist